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Tap Out: Poems, by Edgar Kunz
Download Tap Out: Poems, by Edgar Kunz
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Review
"[A] gritty, insightful debut." —Washington Post “A whirlwind debut.Stories of sclerotic lives told in wrought images, Kunz arrives with real poetic talent…[he] pulls us into his poems and keeps us there through crisp detail…(A hint: trust poets who show back to you the images you’ve seen in glimpses and tucked in the back of your mind.)…Tap Out lives in a bittersweet world, and does so well, but there’s also fine touches here: a mother who has had enough, a son who sees beauty in loss…”—Nick Ripatrazone, The Millions, “Must Read Poetry” "Kunz crafts a poetics of disappointment and consolation...[the] poems are sparse and accessible, reminiscent of Hemingway in both content and style, and feature an extraordinary new voice that draws its energy from an underrepresented perspective." —Publishers Weekly, starred review “These poems have a pervasive physicality that is both rewarding and horrifying…Arresting imagery, unexpected detail, brilliant use of tensions, a flowing rhythm and overall accessibility make this a collection to be read and re-read. Tap Out superbly mines the beauty, brutality, tensions and contradictions of working-class U.S. communities.”–Shelf Awareness “This powerful collection reads like an elegy and a confession, like a slap to the face followed by a plaintive kiss, like watching bad things happen and knowing that you’re complicit. Yet cutting through every one of these essential poems is a gritty, naturalistic beauty that makes me want to read them again and again. Tap Out is a gem, and Edgar Kunz is a major talent.” — Andre Dubus III, author of Gone So Long and Townie "There is no ground of existence that does not require (or fail to sustain) its poet. This proposition, requiring continual re-proving, has found again its confirmation in Edgar Kunz’s first book. In the lineage of Levine, Jordan, and Laux, Tap Out presents the data of blows received and taken in fully. Yet these poems do not return blow for blow; they offer instead an unflinching, continued allegiance to abiding connection. Without summation or comment, they remind us that all alchemies of being are possible. Kunz’s precision-tool language of memory and witness enlarges, pivots, pieces together the broken into a world made new, survivable, holdable, forgiven.” — Jane Hirshfield, author of The Beauty and Come, Thief “Edgar Kunz’s startling debut, Tap Out, is one of the best books of poetry I’ve read in a long time. These poems interrogate what is received and what is bequeathed in our damaged systems of masculinity, and they do so in ways that are unexpectedly vulnerable. At the same time, the poems are onomatopoeia of humility and busted machismo. It’s as if the poems themselves are surprised by how much harm has been done, how much energy and emotion have been expended simply surviving inside of our toxic patriarchy. Fathers are complicit. Friends and brothers are complicit. The speaker is complicit, too, and yet the poems do their vital work without soapboxing. They search constantly for better ways of being human. These are essential poems.” — Adrian Matejka, author of The Big Smoke and Map to the Stars “The sustained lyricism of these poems is all the more powerful for being burned at the edges by memory, by grief, by regret. In terms of craft, this poetry creates a world where human action reaches language the way gravity bends starlight: in a drama of weight and light. This is a hard-pressed place, a territory of failed relationships and regions that never becomes landscape. As its reporter, Edgar Kunz lives up to its challenges and understands its limits. This is a wonderful first book, memorable and unsettling.” — Eavan Boland, author of A Woman Without a Country “Tap Out is an ardent and gorgeous refusal to scorn the aches and wounds that bring us closer to mercy. Rippling with both sorrow and wonder, Edgar Kunz’s narratives sift through the intricacies of masculinity, working-class lives, and abandonment. The telling isn’t singed with nostalgia that obscures pain: his muscular lines make visible the scars that tether the self to hurt, to hope. The language is deftly scored on the page—the diction itself is revelatory. ShopRite. Larch. Chamber-throat. This book reminds us the heart has its own intelligence.” — Eduardo C. Corral, author of Slow Lightning “Edgar Kunz extends the legacy of James Wright and Philip Levine in these gutsy, tough-minded, working-class poems of memory and initiation. Tap Out is a marvelous debut, a well-made and harrowing book.” — Edward Hirsch, author of Gabriel and A Poet’s Glossary
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About the Author
Edgar Kunz has received fellowships and awards from the NEA, the Academy of American Poets, the MacDowell Colony, and the Bread Loaf Writers’ Conference. He was a Wallace Stegner fellow at Stanford, and his poems have appeared in Ploughshares, AGNI, New England Review, Narrative, Gulf Coast, and twice in the Best New Poets series.
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Product details
Paperback: 112 pages
Publisher: Mariner Books (March 5, 2019)
Language: English
ISBN-10: 1328518124
ISBN-13: 978-1328518125
Product Dimensions:
5.3 x 0.4 x 8 inches
Shipping Weight: 5 ounces (View shipping rates and policies)
Average Customer Review:
4.8 out of 5 stars
7 customer reviews
Amazon Best Sellers Rank:
#16,759 in Books (See Top 100 in Books)
First book of poetry I've ever owned; my next book of poetry will be whatever Kunz writes next. Beautiful and sorrowful poems. Highly recommended
These poems linger long after you put the book down.
Poetry as abrupt and jarring as broken bone. Unless you can appreciate lives lived at the hard, ugly edges and find the brutal beauty in humanity that shows up drunk and loud, spitting and stealing, then stay away. But here’s the thing. This is humanity that won’t tap out, no matter what.Full Disclosure: A review copy of this book was provided to me by Houghton Mifflin Harcourt / Mariner Books via NetGalley. I would like to thank the publisher and the author for providing me this opportunity. All opinions expressed herein are my own.
I don’t even read poetry, but this was so interesting and makes me open my mind to a new genre.
My man can really string together some words. Very visceral, very haunting. Check it out.
These poems put me inside another person's experiences, rather than just describing them.
So raw and gritty
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