Ebook Free The History of Graphic Design. Vol. 1, 1890–1959 (Multilingual Edition), by Jens Müller

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The History of Graphic Design. Vol. 1, 1890–1959 (Multilingual Edition), by Jens Müller

Ebook Free The History of Graphic Design. Vol. 1, 1890–1959 (Multilingual Edition), by Jens Müller

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Review

“This book, which looks at the legacy and heritage of graphic design, is an essential portal to our appreciation of the world’s history.”

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About the Author

Jens Müller was born in Koblenz, Germany, in 1982 and studied graphic design. Recipient of numerous national and international design awards, Müller is Creative Director of optik design studio in Düsseldorf, editor of the A5 book series on graphic design history, and author of Logo Modernism. He is a visiting lecturer at the University of Applied Sciences in Düsseldorf and currently holds a temporary professorship in the design department of the Dortmund University of Applied Sciences.

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Product details

Hardcover: 480 pages

Publisher: TASCHEN; Multilingual edition (November 24, 2017)

Language: Multilingual

ISBN-10: 383656307X

ISBN-13: 978-3836563079

Product Dimensions:

10 x 1.9 x 14.8 inches

Shipping Weight: 8.6 pounds (View shipping rates and policies)

Average Customer Review:

5.0 out of 5 stars

6 customer reviews

Amazon Best Sellers Rank:

#183,334 in Books (See Top 100 in Books)

What an absolutely beautiful book! I bought this as a gift for my graphic artist son but it's so gorgeous I may need to buy another for myself. It's also a lot less costly at Amazon than at Tashen.

Absolutely beautiful book. All the prints, the designs and typography are just stunning. Just knowing that back then there were no computers and the designs still are impeccable. Highly recommended.

Love this!Literally, HUNDREDS of precisely printed prints of iconic lithographics.

This book is magnificent. Substantial, insightful, and influential. It makes a FABULOUS gift for any artist or lover of art.

Graphic design gets the Taschen treatment: a huge book (380 millimetres deep) with 482 pages; 2500 images; beautifully designed and printed; in depth coverage; a second edition to bring it all up to date. The large page size certainly helps, there are several images (mostly posters) 330 millimetres deep.The seven decades all kick off with a brief introduction spread, in three languages, followed by a time-line spread which has an intriguing collection of historical detail and lots of small images. For example, in 1936 Boulder Dam was completed in Nevada and The Phantom makes his first appearance in newspapers. The remaining pages of the thirties have a wide range of graphic material like posters, magazine and brochure covers, logos, book jackets, record covers, packaging and spreads devoted to designers Jean Carlu, Max Bill, Cassandre, McKnight Kauffer, Herbert Matter, Takashi Kono, Antonio Boggeri, Hisui Sugiura, Herbert Bayer, Lester Beall and others. These designer pages have several examples of their work and it shows the strength of the book's editorial because it's not just American or European designers who are included.The pages covering 1890 to 1920 throw up some wonderful work from artists like Mucha, the Beggarstaff brothers, Talwin Morris, Ludwig Hohlwein, Lucian Bernhard, Theo van Doesburg. Graphic posters from northern Europe during this period have some interesting typography suggesting a lot of it was hand-lettered to get the close letter spacing. Throughout the book there are plenty of spreads (over sixty) that look at individual subjects like AEG (1907) Russian film posters (1927) Bauhaus (1928) Second world war poster (1940) Swiss typepography (1959).I thought the selection of material particularly impressive and considering the large number of images there is nothing that would make me say "Why is that included", everything shows interesting graphic problem solving by several hundred designers and artists. Also evident is the slow change, over the decades, from a graphic pictorial style to an acceptance of abstraction and frequently just a typographic solution. Every piece has a date, designer and subject and the back pages have a bibliography and index of three pages each.I assume the second book will be just as stunning and together they'll offer a remarkable look at the best of commercial graphics from past time.

Firstly, this book weighs a ton - but no problem, because the many (large) pages are filled with a really *gorgeous* assortment of work. The printing process is first-rate and it's an incredibly impressive collection.

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The History of Graphic Design. Vol. 1, 1890–1959 (Multilingual Edition), by Jens Müller PDF