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Ebook Download Show Me the Numbers: Designing Tables and Graphs to Enlighten
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Show Me the Numbers: Designing Tables and Graphs to Enlighten
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About the Author
Stephen Few is the founder of the consultancy Perceptual Edge. He speaks, teaches, and consults around the world and writes the quarterly Visual Business Intelligence Newsletter. He is also the author of Information Dashboard Design: Displaying Data for At-a-Glance Monitoring, Now You See It: Simple Visualization Techniques for Quantitative Analysis, and Signal: Understanding What Matters in a World of Noise.
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Product details
Hardcover: 371 pages
Publisher: Analytics Press; Second edition (June 1, 2012)
Language: English
ISBN-10: 0970601972
ISBN-13: 978-0970601971
Product Dimensions:
8.5 x 1.4 x 11 inches
Shipping Weight: 3.6 pounds (View shipping rates and policies)
Average Customer Review:
4.3 out of 5 stars
96 customer reviews
Amazon Best Sellers Rank:
#20,585 in Books (See Top 100 in Books)
Stephen Few has a rare talent for explaining apparently opaque concepts in simple terms, but without simplifying the subject. This book starts from the *very* beginning and provides the reader with a solid understanding of the basics of chart design, including when to use a table vs a graph, what types of tables and graphs to use for what kinds of data, and why certain graphical features are more effective than others. Throughout, Few maintains a plain, readable writing style that is never patronizing even when spelling out seemingly obvious points (e.g., use a table if you need to look up a specific value). His patient tone and simple presentation end up guiding you through some unexpectedly sophisticated waters of design almost without your even realizing you've gone anywhere.In addition to the design coverage, Few covers some (very) basic statisics, how to adjust for inflation, rgb values of a nice selection of colors to use in graphs, how to make box graphs in Excel, and many other workaday details that make the book immediately useful. Most of the charts in the book are made in Excel, showing that you don't need advanced design software to make attractive, clear charts.The book itself is a beautiful large hardback. This is the source of my one complaint: its large size makes it somewhat difficult to just pop off the shelf and flip through to find something.If you want to learn how to design good tables and graphs, get it.
At first I loved this book. I felt like I was getting the hard fast rules of Data Viz in no uncertain terms. About 2/3 of the way through I hated this book. I felt like I was only getting rules of Data Viz. About 3/4 of the way through, I loved this book. I felt like I had learned the rules, so now I can break them on purpose and be able to explain the reason why.Thank you, Stephen Few for all of your guidance and input, you make the community of Data Viz a better place.
I have been a fan of techniques for improving visual information and information design starting with the Tufte book in 1983. Stephen Few has provided analysts, planners, and other people responsible for turning data into information a great service with this book. With technical books it can sometimes be difficult for the enthusiasm of the author to shine through. It is clear that Mr. Few is passionate about information design. Unlike other some books in the field this comprehensive study is practical as well - everything is presented using tools available in Microsoft Excel. Users are able to immediately relate the information in the book to the ability residing in their desktop. Some of the book would be easy to dismiss as basic information. I thought to skip around but there were surprising gems in the first few chapters where background information is described. If you have only one book on visualizing data, this would be the one to purchase.
First a disclaimer: I have not read Edward Tufte's "The Visual Display of Quantitative Information." I have looked through "Envisioning Information" however, and I found this book by Stephen Few to be more helpful to me. While I love the infographics that can be seen in publications like Wired Magazine an the New York Times (and Envisioning Information), I am an analyst, not a designer. My tools are Excel and Powerpoint, not Adobe Illustrator and Flash.As an analyst I am comfortable with numbers, but I also want others to see what I see, and I want them to be able to see it quickly instead of getting lost in table after table. This is where Show Me The Numbers fits in. It is a book designed to help you communicate with others.Here's a quick walk through Show Me The Numbers:Ch 1 - IntroductionSince the advent of spreadsheet software tables and graphs have become increasingly popular and easy to make. Unfortunately those easy to make tables and graphs are not always made to be easy to read and interpret. The purpose of Stephen Few's book is to help you decide when to use tables, when to use graphs, and how to create them in a manner that will most effectively show the message you are trying to present.Ch 2 - Numbers Worth KnowingThis chapter is fundamental for readers without a basic understanding of statistics, and a refresher for the rest of us. For example, an 'average' refers to a measure of central tendency. But depending on the numbers you may want to use the mean, the median, the even the mode.In addition to introducing these concepts, the author shows a few ways that this information can be shown in tables and graphs.Ch 3 - Fundamental Concepts of Tables and GraphsIn this chapter Stephen Few starts to give you some ideas on how to present information, including when to use tables versus when to use graphs and how to properly lay them out depending on whether you are showing quantitative information or qualitative information.Ch 4 - Fundamental Variations of TablesAfter you've figured out to use a table from chapter 3, this chapter will be next on the reading list. Here you will learn more about showing quantitive and categorical data, and options for grouping data.Ch 5 - Fundamental Variations of GraphsJust like the tables section, this chapter gives you the basics of various graphs that you can use, including nominal comparisons, time series, ranking, correlation, and a few others. There are a few design characteristics in here, including how to use fill patterns, line styles, and colors to distinguish between various groups of data. Once you see the bad examples you will instantly realize how common bad design is among business users.At the end of the chapter is a section designed to test your understanding with different scenarios. You get to choose whether you would use a table or a graph, what kind of table or graph, and anything else you might do. At the end of the book is an appendix with the authors suggestions to compare your choices.Ch 6 - Visual Perception and Quantitative CommunicationIn this chapter the author breaks away from table and graph design for a briefing on how humans see, interpret, and remember data. Humans have quirks in the way they pull information in, and this chapter will begin to give you some ideas on how you can use that to your advantage (and what things you should try to avoid).Ch 7 - General Design for CommunicationThis chapter follows on the knowledge gained in chapter 6 and shows how it can be applied to tables and graphs. The author emphasizes Edward Tufte's principle of the data-ink ratio. If the ink doesn't help to show the data, it should be removed. A few of the other techniques are grouping data, proper sequencing, and adding text to explain what is being shown.I especially think the point on describing the who, what, when, and where of the data in your presentation is important. This type of metadata is almost always unnoticed by the user, but it adds greatly to the presentation when completed properly.Ch 8 - Table DesignThis chapter continues to build on chapter 4, adding in the principles learned in chapters 6 and 7. If you've ever used dark black fill lines to separate every cell of a table you need to read this chapter. Twice. Please.The end of the chapter has a few exercises for you to practice what you just learned, and of course there are answers in the back of the book.Ch 9 - General Graph DesignJust as chapter 8 builds on chapter 4, this chapter builds on chapter 5 while adding in ideas from 6 and 7. The author shows why it's important to carefully consider the scales used in a graph, and how different scales can be used, accidentally or not, to misrepresent the information being considered. He then shows why you should use 2D graphs versus the horrendous 3D graphs that Excel lets you use.Ch 10 - Component Level Graph DesignAny time you decide to use a graph, you also need to decide what type of graph you want to use. Certain relationships may lend themselves better to scatter plots, while others may work better as a bar chart for instance. This chapter will help you decide which type of chart to use and help you to properly format it for maximum clarity.Ch 11 - Design Solutions for Multiple VariablesMany of the times you are analyzing data you will be looking at separate groups that must be compared against each other. This chapter will get you started showing complex relationships.Ch 12 - The Interplay of Standards and InnovationThe final chapter simply tells you to start thinking for yourself about design choices in tables and graphs. Every business is different, and everyone will have their own needs. Pay attention to what works and what doesn't. Be consistent in your design, and everyone can benefit.RecommendationThis is one of those books where after reading it I felt like saying 'no duh.' But it's information that's so simple that no one bothers to implement it. After reading this book I feel much more conscience of the choices I make in my tables, and I feel like they are already starting to improve. I think this book is well worth picking up and keeping as a handy reference for making tables and graphs.
This is a beautifully designed, easy-to-understand book that you could sit down and read straight through, or use as a textbook (it has lots of exercises), or as a reference book (very thorough and well organized). I borrowed it from the library and liked it so much I got my own copy. The examples are taken from the business world, but the principles apply equally to other kinds of writing. (I'm an editor working primarily on academic texts, and I'd recommend it unhesitatingly to clients or colleagues.) The style is engaging. The examples are easy to follow. The layout is just gorgeous. A keeper!
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Free Download Leaf Storm: and Other Stories (Perennial Classics), by Gabriel Garcia Marquez
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Leaf Storm: and Other Stories (Perennial Classics), by Gabriel Garcia Marquez
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Review
"For Garcí a Má rquez the world contains mysteries that we need and can easily live with, but also miracles that we cannot understand, that speak for forces unknown to men. 'Leaf Storm, ' then, brings together both Garcí a Má rquez's early and late styles. The former deserves our respect; the latter requires our celebration."-- Peter S. Prescott, "Newsweek""To call these allegories would be to suggest that they are 'symbolic' somehow and perhaps plainly stated. They ore not; the texture is that of the prose poem, and the intention a restatement of religious belief. But the feeling one comes away with is that of enchantment, which is a sense of having endured terror and magic." -- Paul Theroux, "Chicago Tribune""Garcí a Má rquez has extraordinary strength and firmness of imagination and writes with the calmness of a man who knows exactly what wonders he can perform. Strange things happen in the land of Má rquez. As with Emerson, Poe, Hawthorne, every sentence breaks the silence of a vast emptiness, the famous New World 'solitude' that is the unconscious despair of his characters but the sign of Má rquez's genius." -- Alfred Kazin, "The New York Times Book Review"
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From the Back Cover
'Garcia Marquez has extraordinary strength and firmness of imagination and writes with the calmness of a man who knows exactly what wonders he can perform. Strange things happen in the land of Marquez. As with Emerson, Poe, Hawthorne, every sentence breaks the silence of a vast emptiness, the famous New World 'solitude' that is the unconscious despair of his characters but the sign of Marquez's genius.'
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Product details
Series: Perennial Classics
Paperback: 160 pages
Publisher: Harper Perennial; Reissue edition (February 1, 2005)
Language: English
ISBN-10: 006075155X
ISBN-13: 978-0060751555
Product Dimensions:
5.3 x 0.4 x 8 inches
Shipping Weight: 4 ounces (View shipping rates and policies)
Average Customer Review:
4.0 out of 5 stars
14 customer reviews
Amazon Best Sellers Rank:
#567,488 in Books (See Top 100 in Books)
I bought this book to help my study on Spanish. I love Gabriel Garcia Marquez, but the original is still too hard for me. This translation work is quite acurate while maintaining the flavor of Garcia Marquez. It helps me greatly and speed up my understanding. However, In addition to be a study aid, the book also provides a great deal of enjoyable reading. I recomend it for a summer reading.
Good book.
I especially loved the "A Very Old Man with the Enormous Wings." It smacked of surrealism and was simply and beautifully written. Very melancholic in tone and narrative, as expected of Gabriel Garcia Marquez.
Purchased to practice my Spanish. It's a real challenge
Wonderful stories.
Leaf Storm (1955 as La Hojarasca – The Newcomer) is set in the fictional town Macondo. It is 2:30 pm on Wednesday, 12 September 1928. It is the funeral of the foreign doctor – ‘the most hated man in town.’ Only Colonel Aureliano Buendia, his 30-year-old daughter Isabel, and ‘the child’ who is almost 11 years old, attend the funeral; the rest of the town would rather let the old doctor rot. Isabel wonders how they will treat her now.The 60-years-old doctor arrived in Macondo 25 years earlier, in 1903, and lived for the first eight years with the Colonel. Through the three narrators (three generations of the Buendia family) we learn of Isabel’s husband who abandonned her nine years ago, never to return, when ‘the child’, the boy, was two-years-old. We learn of the Colonel’s wife, Adelaida, and ‘Pup’ the priest. And we learn why the townfolk despise the foreign doctor so much.Leaf Storm is about abandonment, loss, betrayal, rejection, solitude, reclusion and isolation, and the rituals of death. The writing of Gabriel Garcia Marquez is succinct, evocative, and sensory. This novella is the precursor to One Hundred Years of Solitude (1967, published in English in 1970) set in the same fictional town, with some of the same characters. Although I am reading this novella many years after reading the novel, it nevertheless excels as a stand-alone short story by the Colombian winner of the 1982 Nobel Prize in Literature. And it makes me want to read One Hundred Years again.
... which was actually the initial prelude. I've read a number of the works of Gabriel Garcia Marquez, most notably, his classic One Hundred Years of Solitude (Harper Perennial Modern Classics) as well as Love in the Time of Cholera (Oprah's Book Club). I first read "Leaf Storm" a few decades ago, and decided it needed a re-read. Like William Faulkner, who found a seemingly inexhaustible source of material in that small postage-stamp size of earth that is Lafayette Co., Mississippi, which he fictionalized as Yoknapatapa Co., so too Marquez produced story after story based on his own town of Aracataca, Columbia, which he would fictionalize as Macondo. Both Faulkner and Marquez would win the Nobel Prize, separated by a bit more than four decades."Leaf Storm" was published twelve years before "One Hundred Years..." It is a novella which sets the stage for his later work. All the familiar elements are there: the town itself, of Macondo. Always in the background is the Civil War, which tore Columbia apart, dating from the 19th Century. The Civil War provides so much of the impetus for current actions. And there is the "magical realism" that is the hallmark of Marquez' style... those seemingly impossible events that just happen.Marquez draws the reader in with the death of a doctor that the town hated. The search for the "why" carries the reader through the first half of the novella. As Marquez describes the town's feelings, in a style reminiscent of Faulkner : "...satisfied rather at seeing the longed-for hour come, wanting the situation to on and on until the twirling smell of the dead man would satisfy even the most hidden resentments." In fact, the authorities deliberately delay burying him... so that the town can smell the odor of his dead flesh. Now, that is hatred, in a classic sense. So, what did the doctor do to merit this? It is actually what he did NOT do: he refused to treat wounded soldiers during the Civil War. Hum. Proving that there are many disparate threads that seem to tie together, I had to reflect upon the various administrators of VA hospitals who denied medical care to veterans. As the priest in Marquez' story posits it: their burial should be conducted by the sanitation department.In this early novella of Marquez, his narrative powers are quite apparent. He tells the story from three different points of view, which span three generations. There is Colonel Aureliano Buendia, who, as a point of honor, originally decided to shelter the doctor, and is determined to see that he has a proper burial, despite the town's feelings. The other two narrators are Buendia's daughter, Chabela, and her child. And always, there is how Marquez describes Macondo, and its founding: "Arriving there, mingled with the human leaf storm, dragged along by its impetuous force, came the dregs of warehouses, hospitals, amusement parlors, electric plants; the dregs made up of single women and men who tied their mules to hitching posts by the hotel, carrying their single piece of baggage, a wooden trunk or a bundle of clothing, and in a few months each had his own house, two mistresses, and the military title that was due him for having arrived late for the war."The publisher of my copy, issued in 1979, was Picador. They tacked on six short stories, of varying quality, as it always seems, to fill out their offering. "The Last Voyage of the Ghost Ship" is five pages long, but only one sentence. Take a deep breath. It is a stylistic precursor to The Autumn of the Patriarch. And I found the story "Blacaman the Good, Vendor of Miracles" a riff, between Lawrence Ferlinghetti and Thomas Pynchon.I was going to originally rate it 4-stars, since I found the ending somewhat unsatisfactory, but upon further reflection, decided it was simply an excellent prelude for "100 years...", thus, 5-stars.
What can I say?There is a reason that Gabriel Garcia Marquez is a master. He didn't just have a unique and powerful way of writing, he also had a unique and powerful way of seeing the world around him. I am also reading Gabriel Garcia Marquez, A Life by Gerald Martin. It has been a fascinating journey, reading Leaf Story as I read about the early years of his life in Colombia and traveling in Europe, what used to be the U.S.S.R., the United States, and Cuba.It was easy to give this book 5 stars. A Very Old Man With Enormous Wings may still be my favorite story, but the entire book got under my skin.
The brilliance is this: The leaf storm is the arrival of--for lack of a better term--industry to the small town of Macondo. The leaf trash are the elements of the population that the storm blows into town, leaving the residents already there feeling like outsiders.This is presented in the prologue. What follows is so unique. It is not factual, it is like watercolor bleeding on a wet canvas. The stories sprawl into the psyches of the imagined citizens. We get their hearts and souls.I've written about each of the stories on my blog [...] on the entries between October 18, 2012 and November, 19, 2012.It is really unfortunate that this treasure has not become available for ereaders.
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About the Author
Yukiya Murasaki is a Japanese author best known for the How NOT to Summon a Demon Lord light novels. Naoto Fukuda is a Japanese manga artist best known for the manga adaptation of How NOT to Summon a Demon Lord.
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Product details
Series: How NOT to Summon a Demon Lord (Manga) (Book 2)
Paperback: 180 pages
Publisher: Seven Seas (October 16, 2018)
Language: English
ISBN-10: 9781626928657
ISBN-13: 978-1626928657
ASIN: 1626928657
Product Dimensions:
5.2 x 0.6 x 7.8 inches
Shipping Weight: 6.4 ounces (View shipping rates and policies)
Average Customer Review:
4.6 out of 5 stars
3 customer reviews
Amazon Best Sellers Rank:
#42,646 in Books (See Top 100 in Books)
Great addition to my collection.
the images
Enjoying it, but it could be naughtier!
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Download PDF Sugar, Cigars, and Revolution: The Making of Cuban New York, by Lisandro Pérez
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Review
"En prosa clara y precisa, Lisandro Pérez cuenta la historia de los cubanos del siglo XIX en Nueva York con rigor y una dosis exacta de empatía hacia los protagonistas. Este libro académico, sin duda un aporte incalculable a la historiografía cubana, se lee, sin embargo, como si fuera una novela."-Uva de Aragón,El Nuevo Herald"Few people are aware that during the nineteenth century, Cubans constituted the major immigrant Hispanic community in New York. Lisandro Pérez, through exhaustive and well documented research, brings into focus the outstanding political, economic and cultural significance of this presence in the history of the city as well as in Cuban history." -Oscar Zanetti,Universidad de La Habana"A fascinating excursion into nineteenth-century New York . . . serves as a comprehensive guide to the social, cultural, and political lives of the transnational community of wealthy Cuban plantation owners and their immigrant compatriots . . . Great spiritedness animates the prose . . . a lively and multifaceted record of Cuban communities in New York City."-Foreword Reviews"In this colorful and scrupulously researched history, Pérez . . . traces the 19th-century origins of Cuban New York. [His] engrossing work showcases a little-discussed facet of New York City's rich history."-Publishers Weekly"In the 18th century a sugar trade sprang up between New York and Cuba, and with it a Cuban community grew in Gotham. Its evolution down to the 1898 war with Spain has heretofore been only lightly sketched. Now Lisandro Pérez’s splendid study offers a full blown portrait. His research drills down to bedrock, and his absorbing narrative, which focuses on individual actors as well as sweeping historical forces, is engagingly written."-Mike Wallace is a Pulitzer prize winning historian of New York City"A riveting history of exile and migration. More than a century before the rise of Miami, New York City was home to a vibrant transnational Cuban community. Its members lived in the city, using it to feed their business ventures, their intellectual and artistic pursuits, and their political visions, which were wide-ranging enough to include plots to annex the island to the United States and dreams of nationalist revolution. Lisandro Pérez provides a vivid glimpse into a relatively little-known Cuban and Latino New York in the nineteenth century."-Ada Ferrer,author of Freedom's Mirror: Cuba and Haiti in the Age of Revolution
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About the Author
Lisandro Pérez is Professor of Latin American and Latina/o Studies at John Jay College of Criminal Justice. He is the author, with Guillermo Grenier, of The Legacy of Exile: Cubans in the United States (Allyn & Bacon, 2003).
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Product details
Hardcover: 400 pages
Publisher: NYU Press (July 10, 2018)
Language: English
ISBN-10: 0814767273
ISBN-13: 978-0814767276
Product Dimensions:
6.3 x 1.2 x 9 inches
Shipping Weight: 1.6 pounds (View shipping rates and policies)
Average Customer Review:
5.0 out of 5 stars
4 customer reviews
Amazon Best Sellers Rank:
#425,480 in Books (See Top 100 in Books)
EXCELLENT! One of the best books I have read lately. It is an academic book that reads like a novel. A must read for any intetested in Cuba, Cuba-US relations, history of New York or the lives of immigrants and exiles in the US during the 19th century. Good read for anyone interested in a superbly written true story of a community and its people
This book was extremely interesting, as I didn't know much about the time period where Cubans came into New York and made it the largest Latin American community at the time. This book was filled with a lot of obscure information and was an interesting read!
What stands out out are the stories of dozens of Cubans on the move, political exiles, poets and teachers, business people and common folks, who created an early version of a transnational community, a shifting territory between Cuba and New York.
This is an awesome book, great history on the Cuban culture!
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