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Download PDF Moby-Dick: or, The Whale (Penguin Clothbound Classics), by Herman Melville

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Moby-Dick: or, The Whale (Penguin Clothbound Classics), by Herman Melville

Download PDF Moby-Dick: or, The Whale (Penguin Clothbound Classics), by Herman Melville

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Review

Winner of the 2012 Fifty Books/Fifty Covers show, organized by Design Observer in association with AIGA and Designers & Books Winner of the 2014 Type Directors Club Communication Design Award Praise for Penguin Drop Caps: "[Penguin Drop Caps] convey a sense of nostalgia for the tactility and aesthetic power of a physical book and for a centuries-old tradition of beautiful lettering." "Fast Company" Vibrant, minimalist new typographic covers . Bonus points for the heartening gender balance of the initial selections. Maria Popova, "Brain Pickings" "The Penguin Drop Caps series is a great example of the power of design. Why buy these particular classics when there are less expensive, even free editions of "Great Expectations"? Because they re beautiful objects. Paul Buckley and Jessica Hische s fresh approach to the literary classics reduces the design down to typography and color. Each cover is foil-stamped with a cleverly illustrated letterform that reveals an element of the story. Jane Austen s A ("Pride and Prejudice") is formed by opulent peacock feathers and Charlotte Bronte s B ("Jane Eyre") is surrounded by flames. The complete set forms a rainbow spectrum prettier than anything else on your bookshelf." Rex Bonomelli, "The New York Times" "Drool-inducing." "Flavorwire" "Classic reads in stunning covers your book club will be dying." "Redbook""

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About the Author

Herman Melville was born on August 1, 1819, in New York City, the son of a merchant. Only twelve when his father died bankrupt, young Herman tried work as a bank clerk, as a cabin boy on a trip to Liverpool, and as an elementary schoolteacher, before shipping in January 1841 on the whaler Acushnet, bound for the Pacific. Deserting ship the following year in the Marquesas, he made his way to Tahiti and Honolulu, returning as an ordinary seaman on the frigate United States to Boston, where he was discharged in October 1844. Books based on these adventures won him immediate success. By 1850 he was married, had acquired a farm near Pittsfield, Massachussetts (where he was the impetuous friend and neighbor of Nathaniel Hawthorne), and was hard at work on his masterpiece Moby-Dick. Literary success soon faded; his complexity increasingly alienated readers. After a visit to the Holy Land in January 1857, he turned from writing prose fiction to poetry. In 1863, during the Civil War, he moved back to New York City, where from 1866 to1885 he was a deputy inspector in the Custom House, and where, on September 28, 1891, he died. A draft of a final prose work, Billy Budd, Sailor, was left unfinished and uncollated; packed tidily away by his widow, it was not rediscovered and published until 1924.Andrew Delbanco was born in 1952. Educated at Harvard, he has lectured extensively throughout the United States and abroad. In 2001, Time named him “America's Best Social Critic” and in 2011 he was awarded a National Humanities Medal. Two of his previous works, The Puritan Ordeal and Melville: His World and Work  received the Lionel Trilling Book Award at Columbia University, where he is Director of American Studies and Julian Clarence Levi Professor in the Humanities. He lives in New York City with his wife and two children.Tom Quirk is Catherine Paine Middlebush Professor of English at the University of Missouri-Columbia. He is the editor of the Penguin Classics editions of Mark Twain’s Tales, Speeches, Essays, and Sketches (1994) and Ambrose Bierce’s Tales of Soldiers and Civilians and Other Stories (2000) and co-editor of The Portable American Realism Reader (1997). His recent books include Nothing Abstract: Investigations in the American Literary Imagination (2001) and Mark Twain and Human Nature (2007).Coralie Bickford-Smith is an award-winning designer at Penguin Books (U.K.), where she has created several highly acclaimed series designs. She studied typography at Reading University and lives in London.

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Product details

Series: Penguin Clothbound Classics

Hardcover: 720 pages

Publisher: Penguin Classics; First edition thus. edition (November 24, 2015)

Language: English

ISBN-10: 0141199601

ISBN-13: 978-0141199603

Product Dimensions:

5.4 x 1.7 x 8.1 inches

Shipping Weight: 1.8 pounds (View shipping rates and policies)

Average Customer Review:

4.2 out of 5 stars

2,286 customer reviews

Amazon Best Sellers Rank:

#153,466 in Books (See Top 100 in Books)

I read Moby-Dick several times in college almost forty years ago. Now I'm taking a night class and reading it with life experience of forty years. Awe is the feeling that constantly gets evoked as I read. Why awe?Capacious. That is the word that repeats again and again in my head. Moby-Dick is a vibrantly colored hot air balloon that keeps growing in size as I read it. First, Melville's subject is the sperm whale, the largest creature on earth. But we don't just learn about the sperm whale but about all whales. Then we learn about whaling and its nobility. Here is where it gets very interesting. We participate in whaling, its skill, equipment, courage, risks and economy AND about how it results in the gruesome destruction of the whale. We feel the horror inflicted on the whales and we feel the nobility of the activity that slaughters them. Melville doesn't allow us to avert our eyes either to the daring of whaling or to the viciousness of the slaughter. That is where the book inflates even more because he holds both perspectives equally which is a much larger place than if he had taken sides.The book also foreshadows modernism by using a variety of narrative techniques; theater, pure narration, encyclopedic explanations and subjective interior monologues. Melville is constantly breaking up the narrative with omniscient recitations of fascinating information about his subject matter. And like Ulysses or the Waste Land, he piles on the reference to Shakespeare, the Greeks, Christianity and the Hebrew traditions.There are many references with regard to Ahab and the Whale regarding evil and Satan. Yet Ahab has great respect and reverence for Moby Dick. Ahab himself knows he is obsessed and but can have great compassion like his feelings for the lowly addled Pip. So yes there is evil afoot in the book but it isn't the kind that that creates simple polar opposites. As Ahab describes Moby-Dick (has) `an inscrutable malice sinewing through it' that describe the book as well. There is evil and there is also goodness that coexists in the book making the reader feel that he has to take sides. If the reader resists this temptation he or she will experience the awe of a deep and ever expanding mystery.

"Moby-Dick," the Third Norton Critical Edition edited by Hershel Parker, the foremost Melville scholar, is a leviathan of a Melvillean treat and brings Melville into the 21st century. Melville wrote in "White Jacket..." " the books that prove most agreeable, grateful and companionable are those we pick up by chance here and there... those that pretend to little, but bound by much." There is so much added to this superb third edition of "Moby-Dick," including the splendid portrait of Ahab on the cover by Oleg Dobrovolski.In the well-written preface, Hershel Parker clearly indicates how the different Norton editions published in 1967, 2001 and 2017 addresses the times and issues of their publication dates. Parker describes why Melville means so much more to us today then he did to his contemporaries and how our vision of Melville has changed from 1967 such as global warming, the extinction of species and human overpopulation. Parker mentioned that Chapter 105 "... Will He Perish?" of Moby-Dick" is read differently today. No longer do we believe as Melville did "we account the whale immortal in his species."Of course the book contains the authoritative text pioneered by Parker and Harrison Hayford. In this case with numerous added notes. Then Hershel Parker has written a new chapter, "Glimpses of a Melville as a Performer." This section clearly shows the talented Melville as a debater, actor, raconteur, lecturer and a master storyteller thru the eyes of his contemporaries. One of my favorite chapters that appears in all editions deals with whaling and whale craft with nautical terms and the well-illustrated whaling industry section.There is so much new and important material in this third edition. Highly recommended is reading the "Melville Revival 1879-1927."In conclusion it was exciting to read the new rich material in this third edition. Anyone interested in Melville, "Moby-Dick" or reading this classic piece of literature for the first time, needs to have this latest edition on his or her bookshelf. The essays at the end by some of the outstanding Melville scholars are an enriching experience. Walter Bezanson, Harrison Hayford, Greil Marcus, Timothy Marr, Mary K. Bercaw Edwards, Wyn Kelley, Robert K. Wallace, Jonathan Letham and Robert Payne takes us on a voyage and comprehensively bring "Moby-Dick" into the 21st century by addressing the present generation. They cover such "Moby-Dick" topics as the character of Ishmael; the reading and rereading of the book; the "Moby-Dick" in popular culture; the surprising proliferation of "Moby-Dick" public reading marathons; its influence in the arts and even a discussion of the song of whales. This is truly a "mighty book" on "Moby-Dick." When you read this volume, you will have a whale of a time!

I tried. I really tried. Multiple times. But the page after page describing all the different types of whales in the most minute of detail, and the sentences that stretch so long that by the end of them I'd realize I couldn't figure out for the life of me what point he was trying to make. I finally decided life is to short to torture myself with a book I'm just not enjoying, and I moved on. Maybe I'll try again in another 10 years.

A very enjoyable listen. Well narrated and takes a long time to get through, my two main requirements for an audiobook :). I tried reading this when I was young (luckily never given it as an assignment) and it is a tough read. Herman Melville was a master of the poetic phrase and it is beautiful to listen to but a trudge to read imho. A true American classic of the dangers of revenge and mob mentality. It also provides a time-machine like glimpse into the powerful American whaling industry and once again demonstrates the American concept (for good or bad) that whatever the world does we will outstrip it. I was especially pleased with the authors (narrators) view on the belief that mankind could never kill enough whales to endanger their numbers in the ocean and provides an interesting analogy separating their killing from the American Buffalo. Sadly, little did he know of where technology and seafaring were headed just a few decade later. I spent .99 for the kindle book and got the audio for free so I count it as money well spent.

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